This
week we're going to take a look at what it takes to become a solo
guru. Many of you have emailed me over the last two weeks asking
for tips on soloing and scales. I've heard your cry!
It
just so happens that the last installment of our new practice regimen,
PACS, deals with how to practice scales like the pros. We'll cover
everything you need to know to get started with soloing by taking
a look at proper practice techniques for scales.
We
also have our ever growing feedback booth for you to check out and
see what your fellow subscribers have to say. See our new segment
that will be featuring a new band called "T.A.T.U.M."
Starting now, you will see a new feature band in the first newsletter
of every month. So start telling us about your band!
So
lets dive right in!
Get
the proper foundation...
Are
you confused yet?
I
remember how intimidated I was of scales when I first started out
on guitar. Lets face it. There's literally thousands of variations
of them and they have the tendency to sound like nails on a chalk
board if you don't know what you're doing.
Plus,
there's that whole, "Is this the right fingering?" dilemma
or the, "Is this the correct way of playing it?" factor.
Then,
you go and read one of your favorite guitar magazines only to see
some professional guitarist list off hundreds of major and minor
scales. They go into detail about how they found the tonic of some
exotic scale that you've never heard of.
To
top it off and really keep you confused, you may then hear from
a famous guitarist who only uses a few select scales to get their
sound. Where do you go next?
Get
the basics down.
Scales
aren't the beasts that everyone makes them out to be. The truth
is, in Western music there are select scales that are very popular
and the rest are sort of like a bonus.
Knowing
what scales are used for what and how to finger them will take much
of the anxiety away. The first major problem that many of my students
face is that they make life harder for themselves by not fingering
the scale correctly.
Fingering
What
proper fingering does is make the most out of the space that is
available on the fretboard. On your fretting hand, you have four
fingers that are numbered. Each finger will be responsible for a
certain area of the fretboard. Take a look at what fingers represent
certain numbers:
1
= index
2
= Middle
3
= Ring
4
= Pinkie
T
= Thumb
These
numbers will appear over many professional scales that you see.
When you see a number that isn't a part of the music or tab, it
indicates which finger it wants you to use to produce that note.
You
will find that when you are playing scales, the fingerings will
follow a certain pattern. Although they may go around different
frets, the finger responsible for that general area will be there
to hit it. See this example to see what I mean:
A
pentatonic (minor)
Notice
the pattern of your first, third and fourth finger? The fourth finger
takes care of the long stretches and the first and third are responsible
for the closer distances. This is designed to increase your speed
and accuracy.
The
pattern essentially goes 1-4 1-3 1-3 1-3 1-4 and ends on a 1. That's
not too bad is it?
Keep
in mind that when you are playing scales and there's a nice little
fret jump, like seen above on the low E string, then you should
use your pinkie finger. This may be a little bit painful at first
but I highly recommend you keep at it. Practice a scale that needs
your pinkie finger every day and before you know it, your pinkie
will be as strong as your other fingers.
If
you are playing notes that are really close, use your first and
second finger. If you are playing notes that are around a fret or
two away, try using your third finger.
Far
too many players rely only on their first, second and third fingers.
While this may seem comfy when you are starting out, you will find
that it will wear off quickly and you won't be near as fast as you
could be.
What
scales are used for different styles?
So
here's the source of confusion for many people. What kind of scale
are you supposed to use to play your favorite genre of music? We're
going to list all of the ones you should know for the type of music
you like to play.
Major
Scale: The major scale is everywhere you look in modern music.
No matter what your style, the major scale is one that you're going
to want to know. There are many forms of the major scale, both movable
and stationary. I recommend you learn all of the major scales because
it will serve you as a great reference tool and a cool warm up.
The
major scale includes quite a few notes but don't get frustrated
because they are all in a pattern. From this movable scale below,
you can play all of the major scales.
G
Major
Take
note of the fingerings for this scale and try your best to memorize
them. After a couple of practice sessions it will be a piece of
cake! Take a look at the rest of the major scales you can produce
using this fingering pattern.
Note
to advanced players, all scales shown below are in Ionian form.
A
Major
B
Major
C
Major
D
Major
E
Major
F
Major
With
those scales in your arsenal, you can eventually work up your speed
and do warm-ups that sound like this:
Don't
worry, you can do this too! All I did was cut off each scale before
I went to the second bar. In other words, don't play anything in
the second box of the tabs. Practice with a metronome and work your
way up.
You
may have noticed that I didn't play in straight even notes. The
technique makes the notes (after the first one on the E string)
sound as if they fit into the syllables of "Triple it".
There
are eight notes in a scale so when starting out, hold your first
and second note on the E string a little longer and then make the
three notes on the A string fit into the "Triple it" sound.
Do the same for the notes on the D string.
After
a lot of practice you'll find yourself speeding through them!
Pentatonic
Scale: This scale is extremely popular among rock and blues
guitarists. It's known to have the flavors that drives the best
chart topping songs. It's definitely one of the most functional
scales at your fingertips. It's recommended for rock and blues but
I believe it's useful in a number of situations. Here's an example:
C
Pentatonic (Major)
The
Blues Scale: This scale is one of my favorite. It's very similar
to the pentatonic scale but adds it's own twists. The history of
this scale is quite lengthy and it's heard on millions of CD's.
It's simple yet you can write the most complicated solos. Recommenced
for blues, rock, soul, gospel, and more!
A
Blues Scale
Putting
it into practice
So
now that you have the scales, you need something to see what it
looks like in action. Here's a quick little lick that will give
you an idea of what you can do with some of the notes from the A
blues scale. You may notice that it isn't arranged like you may
have expected...
"A
Little Piece of Heaven"
Guitar
Tips Feature Band
T.A.T.U.M.
Over
the last few months I have received a lot of emails from people
telling me about their bands and the things that they have been
up to. A few weeks ago, I discovered a new band that's just emerging
onto the music scene in their Country.
This
particular band grabbed my attention because they just started to
perform recently and are achieving great success for the time that
they've been involved with gigging. This is what Craig Henning,
rhythm guitarist, had to say about the recent success and how Guitar
Tips helped them out.
Hello
Guitar Tips Subscribers,
Our
name is T.A.T.U.M. (Tried and Tested under Music) and we started
about 5 months ago in a warehouse. So far, we have made 8 great
songs already and working on loads more for future gigs and possibly
a global battle of the bands! The first time T.A.T.U.M performed
was on June 24th , and everything went down as planned ( thanks
to Guitar Tips letting us know about organizing and planning gigs.)
The
second gig also went down well and we have been winning one battle
of the bands after the other. We have been asked to play gigs by
SA Music and we are already organizing a tour with other awesome
South African bands ( The Hellphones , PTD etc.)
I
would really like to thank the guys and gals at Guitar Tips for
making our road a lot easier for the future of our band and the
great advice that constantly comes through to us come hell or high
water! Besides the great chords and advice you send us, it looks
like we are going to need some more articles on signing big record
deals!
~Craig From T.A.T.U.M. - Rhythm Guitarist
Feedback
Booth
In
the last two weeks, I have received more emails with updates than
ever before! If you feel that you have a suggestion for us, please
send along an email and you might find yourself in our next issue.
Just
as a side note, one of the more popular emails I have been getting
are with regards to the contest. Remember to put your name down!
I have a lot of great entries with no one to claim them. If you
forgot to put your name, please reenter.
Here's
what a few of our subscribers are saying this week.
Jess
G write to us this week with this comment:
"I've
really been enjoying the arpeggio practices... I don't take lessons
or anything and I don't want to learn someone else's style. I really
like how I can just look at something tabbed out and do my own thing.
Thanks again! Chances are, you'll be getting one of these every
time I get the newsletter."
Rosa
Evans had a great topic suggestion and question, which I am still
researching for her. She writes:
"Hope
you are having a good day! I would be really interested to read
some tips and ideas for female guitar players, especially those
who have extremely small hands like me! I find some chords literally
impossible to reach. I know there must be heaps of successful tiny-handed
players out there. Do you know any of their tips or secrets? Does
the size and style of the guitar have much of an impact? Keep up
the good work!"
Stay
tuned as we address this issue in the coming months.
Henry
Flores write to us with another great suggestion:
"Congratulations
for your newsletter, I've learnt a lot with this one. I have a suggestion
for you: Maybe in the Newsletter you could put a section about the
biography of a famous guitar player. It'd be great!!!. So your readers
can encourage themselves. I hope my suggestion can be useful."
This
suggestion is actually quite popular. We're looking at doing a few
articles like this in the future, yet another great idea.
Conclusion
Well,
we hope that you've learned something new with this one. Scales
have always been a personal favorite and map out a great foundation
for amazing solos. Stay tuned over the rest of the Summer to see
more articles on solo techniques, improvisation, strumming and more!
If
you have a question, just let us know. We're always happy to help
you out!
Until
next time, keep on rocking!
WRITTEN
BY ELMORE MUSIC
If you've always wanted to learn to play the guitar but
never had the chance, give me 17 minutes a day for 90 days
and I'll show you how to play virtually any song you want!
Visit http://www.guitartips.com.au